After a popular game and seven live-action movies (including a reboot last year), "Resident Evil" makes the seemingly inevitable migration to Netflix as a ...
Not that there's much reason to sweat the details or worry too much about the longevity of anyone other than her. That might be true strictly for Netflix's purposes in terms of connecting with fans. Balinska is a solid enough lead taking into account the confining nature of the writing, as Milla Jovovich could probably attest after her half-dozen action-laden outings.
For a while there, it seemed like we had perhaps broken the video game adaptation curse, thanks in part to Netflix itself, home of brilliant projects like ...
Without getting into spoilers, you might imagine that the past storyline and the future storyline would converge, but the series ends with the clear indication that both of these separate time tracks are going to continue, and it’s just a litany of annoying cliffhangers that demand a second season. One major problem with Resident Evil is how it ends, with zero resolution and boldly confident it’s going to get a second season pickup to continue storylines. He’s great as Wesker for the first stretch of the show, but then after a late plot turn, really has the chance to expand his range and answer questions Resident Evil fans have had about why this version of the character exists at all. She feels like the most game-true character to me, lest we forget how bonkers most of the mainline Resident Evil games actually are. If the show focused purely on the “origin of the outbreak” storyline with the teens, there would have effectively been…zero zombies in a Resident Evil show. The tone of this show is just all over the place, threading in pop culture references like Elon Musk, Spongebob Squarepants and uh, Zootopia porn.
For six choppy hours, Netflix's "Resident Evil" series struggles to find its footing. Then Lance Reddick takes control. [Spoilers]
Surrender is the only option — and for “Resident Evil,” it’s also the best. “Resident Evil” is consistent in its attempts to convey substantial scale (be it the physical sets or CGI-monsters that fill them), and the finale refutes its bland title (“Revelations”) by opening up the goofy floodgates. Bert lets Reddick play a joyful new song, but to explain Bert, “Resident Evil” has to introduce a full band of Reddicks. To kick off Episode 7, we learn that Albert used to work at a lab in the Arklay Mountains with Bert and Alby. All three are clones of the original Albert Wesker, who made them to conduct secret research on his behalf. Second, and arguably more significant, is that Bert’s introduction tips “Resident Evil” over the edge. Bert has to pretend to be Albert — to be the dad he never got the chance to be — and suddenly he’s at an Olive Garden with Billie and Jade, shouting about breadsticks. The unnamed seabeast justifies its star turn by noshing on zombies, swatting helicopters out of the sky, and even befriending a little girl. The ending is actually fun, in part because “Resident Evil” lets its finest thespian off the leash, but also because it’s forced to serve the story its created, rather than any other ideas of what it should be. Albert’s big conflict throughout Season 1 is that Evelyn wants to rush a mood-boosting super-drug (lazily named “Joy”) to market, and he doesn’t think it’s ready. (Side note: I absolutely love that “Resident Evil” keeps with the films’ focus on female action stars and even doubles down by revolving around two sisters’ fractured relationship. Rather than tell one story well, it tells two stories poorly, and in a rebuttal to Jade’s quest to housebreak 6 billion zeroes, it’s clear the living and the dead can’t coexist. Up until the opening of Episode 7, Reddick plays Albert Wesker, Billie and Jade’s father who happens to be the top scientist at Umbrella. Working directly underneath the villainous CEO Evelyn Marcus (Paola Nuñez), Albert has been up to some shady shit. (For example, some zombies dive-bomb victims, piercing body armor and skin in a single bite, while others politely move aside when the hero’s only shield is a trashcan lid.)
Exclusive: Lance Reddick, Paola Nuñez, Ella Balinska, Adeline Rudolph, Tamara Smart, and Siena Agudong tell Den of Geek what it's like bringing a new ...
We really love the games, and we want fans to know that.” The once shy, loving sister and daughter is now a high-ranking commander for Umbrella, relentlessly in pursuit of Jade and her comrades. She’s got her life partner and daughter to keep her sane, as well as her scrappy band of rebels. Being chased by giant spiders, caterpillars, and lickers was almost like a direct trajectory from playing the games to being in them.” Fans of the games will recognize her surname, as she’s the daughter of James Marcus, the former lead Umbrella scientist and head of training who pioneered t-Virus research. A tenured actor in Mexico, Paola Nuñez is best known to American fans for her role as Rita in Bad Boys For Life. In Resident Evil, she plays Evelyn Marcus, head of Umbrella Corp. and Albert’s boss.
While the video games have always been beloved and acclaimed, the Paul W. S. Anderson movie series starring his wife Mila Jovovich based on them are more ...
Most like Gossip Girl, these two adults also seem to have the composure and emotional maturity of teenagers. The issue with adapting Resident Evil is that many of the things that make the games good are impossible to translate to film, and the story was never one of the things that made these games so beloved. Making the leads of the show two teenage girls also makes the plot of the show pretty ridiculous, but not in a way that feels out of character for Resident Evil. If you’re a fan of the games, you probably know what happened to the original Raccoon City (zombie outbreak), and in the fiction of this version of the story, the discovery of this corporate coverup falls into the hands of two 14 year olds. In Gossip Girl, Serena and Dan’s parents dated when they were younger, and when the two teens meet in high school and hit it off, the two parents also get entangled in their own melodrama. Netflix’s Resident Evil is similarly campy, and that tone is enthusiastically embraced by Lance Riddick, who plays the longtime series villain Albert Wesker. In this show, he has two adopted daughters who come with him to New Raccoon City in South Africa, where he is working on a drug called Joy, that makes people happier. Resident Evil as a series has had a complicated relationship to the medium of film.
Resident Evil is back, and this time it's in the form of a live-action series from Netflix. While the games influence the plot and universe of Netflix's first ...
We know in the games that the Resident Evil timeline’s most recent entry point is 2021 (thanks to Resident Evil Village); with the Netflix series exploring the year 2036, a lot of it is open game in terms of the lore. Exactly how a second season and future titles could tie together has yet to be seen, but there is plenty of legroom here for the show to explore uncharted territory the games have yet to touch. It almost seemed like the crocodile had the intent of protecting the child before Umbrella blew it to hell, but we’ll have to wait until Season 2 (should we get one) for those answers! In a later scene, we learn that the person the Wesker twins and Bert are out to find is Ada Wong. In the games, Ada was employed by an Umbrella company known as “the organization.” The company would eventually merge with Tricell, a pharmaceutical company that was involved in the plaga outbreak that happened in Kijuju, which is a key event in Resident Evil 5. Before Albert blows up the lab, we see him give the girls a note and instructing his daughters to find someone.