Sam Rockwell and Saoirse Ronan star as police officers who must unravel this knotty mystery in early 1950s London in a film that's as much a valentine to ...
Add to the list Kenneth Branagh’s Poirot adaptations “Murder on the Orient Express” and “Death on the Nile.” Whodunits are hot. “See How They Run” fits perfectly in a vibe right now — “Only Murders in the Building” on TV and “Knives Out” at the movie theater. “Inspector,” the underling replies. “If you’ve seen one, you’ve seen them all.” “Constable,” says Rockwell to his partner. Well, “See How They Run” is for their grandparents.
Chappell's detective is called Inspector Stoppard and at one point, in a reference to Stoppard's own Christie parody, someone says of a corpse: “He was a real ...
A big factor in The Mousetrap’s early success was that an extract from it featured in a radio programme called Henry Hall’s Guest Night. The pop songs of the era are never invoked. Since the play had already been running for 15 years, I thought it was one they might have cracked. In the movie, however, scenes from The Mousetrap are shot in the Old Vic, which has a capacity of over 900, and the audience congregate in the foyer of the Dominion which can house nearly 3,000 people. The film is escapist fun and Mark Chappell’s script bulges with theatrical in-jokes. It was the last of these, with its savage joke of bumping off the drama critics, that occasionally came to mind as I watched the newly released [See How They Run](https://www.theguardian.com/film/2022/sep/07/see-how-they-run-review-agatha-christie-spoof-scampers-through-50s-theatreland): a spoof whodunnit based on the idea that a killer is on the loose, apparently to prevent Agatha Christie’s The Mousetrap being turned into a movie.
Director Tom George's meta-spoof highlights the conventions of whodunits instead of simply solving who done it.
However, the more See How They Run emphasizes its knowledge of mystery fiction, the more apparent it becomes that the film has little to actually say about it. And while the light tone is mainly present to make the comedy palatable, it still works as a farcically surreal take on mystery storytellers being caught up in a murder mystery all their own. Once the shallowness of that central joke becomes apparent, it leaves the film in an uncanny lurch, where the silly atmosphere and occasional physical gag are endearing, but less clever than advertised. Not only is this accentuated with a stylistic use of split-screen cinematography and snappy editing, but its investigative leads act as cornerstones of genre convention and a reflexive study of those conventions. Rockwell’s performance is perhaps a bit too reserved to make the buddy pairing totally gel, but Ronan makes up for it with a self-deprecating spunkiness, leaning into the inherent absurdity of whodunit deductive reasoning. Acerbic film director Leo Köpernick (Adrien Brody) sets the tone early, cynically describing the whodunit formula in voiceover while setting the scene for what audiences prepare to watch.
Sam Rockwell leads a kooky London murder investigation. ... See How They Run hits theaters on Sept. 16, 2022. Tom George attempts to balance two films throughout ...
On with the show goes See How They Run, a good-natured commentary about Hollywood practices and parlor mysteries that begins with a dead body. Check out the release trailer for another look at the action RPG.If you already own Biomutant on PS4 or Xbox One you can upgrade for free and transfer your old save files and achievements.](/videos/biomutant-ps5-and-xbox-series-xs-launch-trailer) [Hocus Pocus 2 - Official Teaser TrailerCheck out the teaser trailer for Hocus Pocus 2.It's been 29 years since someone lit the Black Flame Candle and resurrected the 17th-century sisters, and they are looking for revenge. See How They Run fancies itself a cheeky comedian when it comes to bashing the structure of whodunits, prominently from Cocker-Norris’ snobby literary pompousness and director Leo Köpernick’s (Adrien Brody) boozy American sensibilities. They bicker about quality and sophistication in cinema as Cocker-Norris hisses at the thought of flashbacks — immediately after a flashback exposition dump. Ronan’s eager-beaver rookie jumps to every conclusion and gawks at the West End allure of The Mousetrap’s ensemble. One is a snippy spoof comedy that disassembles and lovingly mocks whodunits solved by the likes of Hercule Poirot and Sidney Prescott.
It's the recently murdered Leo Köpernick (Adrien Brody), telling us early in the film about how stale the murder mystery genre was even by the 1950s, when See ...
Did they owe the producers a debt? If you direct a period piece murder mystery with Ronan and Rockwell as your leads and it’s not a good movie, you only have yourself to blame. The film rests on the chemistry between the two cops working the case, but the actors never get a chance to bounce off each other, since Rockwell is determined to be as cantankerous as possible, blocking any attempt at a connection between him and Ronan. [Adrien Brody](https://thespool.net/tag/adrien-brody)), telling us early in the film about how stale the murder mystery genre was even by the 1950s, when See How They Run takes place. [Pixar’s Up](https://www.youtube.com/watch?v=yp5RBvogZog), but with more murder and less balloons. See How They Run tries hard to be a clever, meta-Agatha Christie story, but forgets to include a mystery that’s engrossing (or even mysterious).
Unfortunately, though, its greatest strength is its table-setting prologue in which Leo — a Hollywood director hired to make a big-screen adaptation of mystery ...
Fortunately, we get a reasonable serving of the feathers-ruffling Köpernick through flashbacks that fill in some of the gray areas of this mystery. Know that solving it yourself will be difficult, disappointingly, as you likely won’t have all the needed information until a late-in-the-game revelation. Written, more or less adequately, by Mark Chappell (“Flaked”) and helmed by Tom George (“This Country”) — who’s making his feature directorial debut and employs just the right amount of camera movement to keep things lively — “See How They Run” tries to get much of its crackle from the mismatched pair of Stoppard and Stalker. And Rockwell, who can be quite good in certain roles (“Vice,” “Jojo Rabbit,” “Richard Jewell”), doesn’t feel all that invested in this one. However, while Ronan gives it her all, the bright-eyed and eager Stalker — she’s prone to jumping to conclusions, ready to arrest someone for the murder at the most modest hint of guilt — isn’t really what the talented “Lady Bird” and “Little Women” star does best. That’s just the tip of the persons-of-interest iceberg for the Scotland Yard detectives on the case, Sam Rockwell’s grizzled, cynical Inspector Stoppard and the enthusiastic-but-inexperienced Constable Stalker (Saoirse Ronan).
Directed by Tom George. Starring Sam Rockwell, Saoirse Ronan, Adrien Brody, Ruth Wilson, Reece Shearsmith, Harris Dickinson, Charlie Cooper, Pippa Bennett- ...
Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. The period details are aesthetically pleasing, as is some of the crafty cinematography from Jamie Ramsay, and the score from Daniel Pemberton is the only aspect driving momentum, but it’s all superficial to a genuinely pointless and irritating exercise in meta construction. The script uses these characters as ciphers to openly talk about the genre under the impression it’s revolutionary and brilliant when, in reality, there is not a single thoughtful observation on the construction of these stories. Not that it would solve all the movie’s problems if the killer were challenging to pinpoint, but that, too, is obvious. By his admission, there’s not much to like about his personality, which, in conjunction with the self-referential meta narration, means that it’s no surprise he dies first. The groundwork for this approach is laid out in tedious narration by Adrien Brody’s egotistical and confrontational director Leo Köpernick, a filmmaker blacklisted from Hollywood now living in West End London during the height of popularity for Agatha Christie’s stage play The Mousetrap.
See How They Run luxuriates in the well-worn tropes of the whodunnit genre, thumbing its well-frayed edges with sincerity from Saoirse Ronan and Sam ...
But perhaps the movie "See How They Run" borrows from the most liberally is actually Spike Jonze's "Adaptation," another film that seemingly flouts every bit of Hollywood convention throughout, only for it to ultimately succumb to the same form of unreality it has so savagely taken to task. But as much as "See How They Run" is a movie that leverages how the real world works against how fiction does, it's not entirely a verité affair. "See How They Run" is just like every other whodunit... Rockwell is playing a character named after "The Real Inspector Hound" scribe Tom Stoppard, another exploration of the whodunit that plays with similar ideas. Leo Köpernick opens the film with that snarky monologue because he's hiding out from Joseph McCarthy and the black list in the U.K., where he's been hired to make a movie adaptation of Agatha Christie's "The Mousetrap," a wildly successful whodunit for the stage that has been running for 100 shows. A movie this obsessed with the way whodunits function means that every time Stoppard seems checked out, or too grizzled to truly care, we the viewer feel like we're just a scene or two away from him Poirot-ing out of his somnambulant spell to spring into action and set everything straight. Having real-life figures like Woolf, Attenborough, and even Agatha Christie herself appear throughout lends proceedings a necessary hint of gravitas, of feeling tethered to the world we inhabit and not the one we watch to escape. But Stoppard is largely dismissive of each potential resolution to the case, struggling as he is to stay upright most of the time. But that becomes harder for her to do the deeper they get into interrogating suspects and the more she finds out about Stoppard's own past and how it may connect with the victim's. [Sam Rockwell](https://www.looper.com/1001126/sam-rockwells-best-and-worst-movies-ranked/)), a disheveled detective tasked with catching the killer without interrupting the lucrative run of the play and enraging his superiors' friends. This isn't a film that wants to send up a particular brand of mystery yarn, but rather an ornately arranged exploration of why it grips audiences decade in and decade out. Stoppard is paired off with the inexperienced but dedicated Constable Stalker (Saoirse Ronan), a starstruck rookie who loves movies and can't stop seeing the investigation through the rules and tropes of the whodunit.