Can sometimes be fun anyway, especially if you haven't seen Hellraiser in a while.
It’s always nice to see Abbass pop up in English-language productions, but the poor woman can only do so much with a supporting character who’s more of a prop than a person. That general lack of personality wouldn’t be so bad if there wasn’t so much dead air throughout—seriously, one hundred and twenty-one—which mainly gives viewers time to wonder who exactly these new Cenobites are and why their opaque personalities now have all of the charm of well-restored hand-me-downs. But Riley only steals the box, which horror fans will instantly recognize as a way of summoning the Cenobites, because Trevor encourages her. Riley (Odessa A’zion), a grieving former addict, runs into the Cenobites while chasing after her missing brother Matt ( The cleverest additions to the “Hellraiser” canon will only be apparent to established fans since the makers of the latest movie awkwardly graft a sometimes-inspired monster movie onto the back of a trauma-focused character study. The halting pace, scattered focus, and potent ghastliness of Barker’s movie reflects its nature as Barker’s feature directorial debut, a decent adaptation of his 1986 novella The Hellbound Heart.
An opulently designed, if indulgently overlong, remix of the gory 1987 chiller offers up some effectively gnarly violence.
It’s unusual to see a film that’s not for everyone made as if it could be, as gross as it is grand, hell for most but heaven for some. What’s that much stranger about the is-this-the-best-you-can-do monsters is that they’re in a film that’s otherwise beautifully constructed; atmospheric and polished, made on a scale and with an imagination we just don’t get to see that much any more. It doesn’t always work, and at times it really really doesn’t, but it feels confident and unfettered in a way that so many horror films don’t these days.
The Hulu horror film, "Hellraiser," directed by David Bruckner, is the second adaptation of Clive Barker's 1986 novella "The Hellbound Heart.
And on that note, the puzzle returns to the aforementioned shape. Because she wants to live on despite knowing everything she has done and all the people she has hurt. Meanwhile, in a bid to save Colin (and to give Trevor the punishment he deserves), he asks the Cenobite to let go of Colin and take Trevor instead. So, he becomes dependent on Riley to get out of there alive because she is the only one with an escape plan, while Voight doesn’t exactly have any plans to get out of his mansion. We know that Voight did manage to complete all five configurations and asked for a boon from the aforementioned God. The most noticeable change to Voight’s mansion is that it has a massive and intricate iron cage around it that can be opened and closed from the inside. And it hints at the fact that if someone completes all five configurations (which involves sacrificing a human every single time the blade pops up), they will get to ask for a boon from the God of the Cenobites. She does discover Voight’s journal, which details the various configurations of the puzzle: Lament (“Life”), Lore (“Knowledge”), Laudarant (“Love”), Liminal (“Sensation”), Lazarus (“Resurrection”), and Leviathan (“Power”). For example, she learns that the container is connected to Menaker, who tries to wrestle the puzzle away from Riley and gets stabbed by it. And the more she searches, the more she puts herself and those around her in harm’s way. Riley promises Matt that she isn’t going to meet Trevor anymore but goes for a supposed heist with him and even drinks and smokes with him, which means she isn’t “clean.” The aforementioned heist involves breaking into a solitary shipping container, in which there’s a solitary vault, inside which there’s a wooden box, and inside that is the box-shaped puzzle from earlier. When he picks up the box lying beside her, he accidentally cuts himself with it and becomes a victim of the Cenobites.
A review of the 2022 Hellraiser, now streaming on Hulu, a remake that can't match the perverse and grotesque Clive Barker original.
If she had been forced to face off in a meaningful way with a more competently rendered female Pinhead, the movie might have had a better shot at reigniting the kink and sadomasochistic fuckery of the first Hellraiser. Perhaps that’s to be expected from a Hellraiser that is technically being brought to you by the Walt Disney Company. As corny as some of the practical 1987 effects may look today, there is still something visceral and grimy in the aesthetic of the first Hellraiser that isn’t matched by the more glossed-up grit of the remake. Trevor persuades Riley, who is in recovery and struggling to get back on her feet, to steal the puzzle box from where it’s been locked up in a storage facility, then sell it and split the cash. While this version of Hellraiser can’t be accused of completely avoiding the in-your-face gore of its predecessor — we do get treated to the sight of knives slicing into hands, hooks tearing into human tissue, and, in one case, a view of a needle penetrating a person’s neck, partially shown from inside that person’s neck — it still feels like a safer version of the film that inspired it. Thirty-five years and nine sequels later, there’s a new version of Hellraiser streaming on Hulu that gestures at similar ideas and borrows familiar plot points but makes the classic reboot mistake of adding too much story to what should have been a more concentrated reimagining of the Pinhead universe.
Hulu takes on 'Hellraiser' reboot, Mila Kunis powers 'Luckiest Girl Alive' and 'The Redeem Team' revives USA basketball, both on Netflix.
[one of the year’s most unusual dramedies](https://www.latimes.com/entertainment-arts/movies/story/2022-06-23/marcel-the-shell-review-with-shoes-on-a24), telling the story of a tiny talking shell (voiced by Jenny Slate) who becomes an internet sensation, and then worries about the impact all the fuss and attention will have on his family. The plot is the stuff of “The Twilight Zone” — and, frankly, not quite twisty enough to sustain a 105-minute film — but Hancock and his cast effectively convey the essence of King’s story, which is about a well-meaning kid learning how anything that comes too easy likely has dark strings attached. But all of this is over-explained in the film — often by Ani herself, in the incessant voice-overs. When the 1992 “Dream Team” of NBA all-stars arrived at the Olympics in Barcelona, its goals were twofold: to reassert America’s dominance in its homegrown sport and to elevate basketball into a global product. The new reboot retains the elements that define a “Hellraiser” story, including the sadomasochistic extra-dimensional monsters and a cast of human “heroes” who rarely act heroically. [Andrea Riseborough](https://www.latimes.com/entertainment/movies/la-et-mn-nancy-review-20180607-story.html)) wins the kind of lottery prize usually referred to as “life-changing money.” But Leslie doesn’t really want her life changed. And Riseborough is a dynamo, making sure that even at her worst, Leslie has enough personality and humanity that the audience roots for her just to get through another day. The new “Hellraiser” is suitably bloody, and Bruckner and company understand (at least theoretically) the core of Barker’s premise, in which people’s rapacious needs end up hurting everyone in their general vicinity. It’s a story often told, but this movie tells it well, energetically dramatizing the in-the-moment experiences Leslie has and showing how they inform the choices she makes. But while this film looks better and feels more serious than most of the “Hellraiser” sequels, there’s something pro forma about it. The box can be twisted into multiple configurations, each of which leads to the solver’s hands getting punctured and a portal opening to a realm ruled by the Cenobites, a hedonistic race for whom pleasure, pain and enlightenment are all tightly — some might say constrictively — intertwined. [Clive Barker’s 1987 horror movie “Hellraiser”](https://www.latimes.com/archives/la-xpm-1987-09-18-ca-5604-story.html) (adapting his novella “The Hellbound Heart”) became a cult favorite due to its kinky overtones and its visually striking villain: a spiky-domed demon dubbed Pinhead.
Here's what the end of the new Hellraiser movie on Hulu means and how it sets up a sequel.
I feel like I speak for our whole team, and this is everything, the SFX, the VFX, the production design, we learned a lot on this and I think it certainly is tempting coming out of it to think we'd have an amazing grip on it going forward, should there be an energy and an appetite for it." Certainly, Bruckner is enthusiastic about the notion of making a second film if Hellraiser 2022 proves a hit with audiences. It felt like what to me was in the spirit of Hellraiser was a degree of invention and a commitment to showing them something that they haven't quite seen before. And what exactly is the fate of It is likely this deity who is responsible for Voight's transformation and it is also likely that they are turning him into a new Cenobite. In Barker's franchise-inaugurating 1987 film Hellraiser, the Cenobites are clad in leatherware, a clothing choice inspired by the writer-director's own visits to S&M clubs.
Now that Hellraiser is on Hulu, it is time to discuss which version better captures the horror of The Hellbound Heart and the Cenobites.
While even the original Hellraiser has a straightforward horror story, the movie became part of our collective nightmare due to the stylish design of the Cenobites and the bone-chilling acting of Doug Bradley as the Hell Priest, the villain popularly known as Pinhead. The reboot does not aim to remake what was done before, but to push the franchise in a new direction. And the visual design of the Cenobites, the puzzle box, and the Labyrinth dimension all echo Barker’s original vision. If we think about the novel adaptation alone, the original Hellraiser is miles ahead of the reboot. [Hellraiser](https://collider.com/tag/hellraiser/) quickly became one of the most influential horror movies of the 1980s, spawning a profitable franchise of movies, comic books, and merchandising. The reason is simple: the new movie doesn’t try to copy The Hellbound Heart.
Hellraiser returns with all new sights to show us. Here's what you need to know about the newest reboot to the franchise's ending!
Movie's Princess Peach11h ago - A side order of 1-Ups with your McChicken Nuggets?](/articles/mario-movie-mcdonalds-seemingly-leaks-how-princess-peach-looks) [The Lord of the Rings: The Rings of Power Episode 7 Review - "The Eye"20h ago - Middle-earth burns as darkness looms.](/articles/the-lord-of-the-rings-the-rings-of-power-episode-7-review-the-eye) It features “classic” Assassin’s Creed gameplay and takes place in an open world, but is a mobile game rather than a console release.](/videos/assassins-creed-codename-jade-reveal-trailer-ubisoft-forward-2022) [Trombone Champ is a Hilarious Take on Guitar HeroTrombone Champ is available now on PC! Pinhead knows Roland will either see the light — literally — and embrace his newfound transcendence at the hand of an unseen deity, God or Devil, or he'll despise the eternal suffering as punishment for insulting their generosity. She can let Colin go, erasing the last reminder of deceased brother Matt (Brandon Flynn) from existence — possibly lifting a guilty weight — or she can mark Trevor, the encapsulation of all her struggles with addiction. [Dune: Awakening Reveal TrailerTake your place in the fight for Arrakis in Dune: Awakening, an open world survival MMO set in the sci-fi world of Frank Herbert's Dune.](/videos/dune-awakening-cinematic-reveal-trailer) [Assassin's Creed Codename Jade - Reveal TrailerUbisoft has announced Assassin’s Creed Codename Jade, a new game in the series set in Ancient China. Roland is granted his “mercy” wish, but at an ultimate cost — Pinhead bestows upon him the Leviathan gift of Power. David Bruckner — alongside co-writers Ben Collins and Luke Piotrowski — explores how fear and excitement can unfortunately lead to the same outcomes. The Cenobites are summoned by the actions of Roland — they aren't renegade predators — and he must either accept or deny responsibility for what transpires. Riley's investigation of the evolving puzzle box — with 6 unique phases that offer an "Audience with God" upon completion — leads her to the Berkshire estate of vanished billionaire art dealer Roland Voight (Goran Visnjic). It's not long before the wires bind him, stretch him against a stone platform, his forearm skin is degloved Gerald's Game style, and he's yanked into a well of agonizing howls where the Cenobites roam. He chose the Liminal configuration upon his completion of the puzzle, translating to Sensation — but the Cenobites' gift isn't of human pleasure; it's of mortal pain. Roland is also fitted with a golden mechanism that protrudes like an ax through his spine and out his rib cage, pulling his nerves around churning gears.
The Hellraiser franchise has such sights to show us! But some are worth seeing more than others.
Bloodline goes on to trace the LeMarchand curse from the past, to present day, and finally to the distant future in outer space, where a descendent of its inventor has created a spaceship to trap and banish the Cenobites. Even without skin, hell, maybe even because she’s without skin, Julia oozes malicious sex appeal as she gets revenge on Kirsty and especially Frank (Sean Chapman,) the cowardly ex-boyfriend who jilted her for an eternity in exquisite torment. This definitely seemed like a run of the mill thriller they slapped a little leather and blood onto to call it a Hellraiser movie. The movie unfortunately becomes a very rote slasher by the time it goes to space. This is part Hellraiser story, part Jacob’s Ladder ripoff, particularly in the last act. A prequel and a sequel, the fourth movie in the series is the most ambitious of the franchise. At first glance, this appeared to be a homecoming of sorts with Ashley Laurence returning as the original Hellraiser final girl, Kirsty Cotton. When the film license for Hellraiser was about to expire at the beginning of the last decade, Dimension Films slammed this failure into production in a matter of weeks. But as soon as the truth is revealed, we also learn Kirsty is unhinged herself, having made a deal with Pinhead before she was banished to death. It’s just as lazy as the writing in the screenplay of this nihilistic, direct-to-video tale starring a former MTV veejay (Kari Wuher) as a reporter traveling to Bucharest to “investigate” a cult of Pinhead worshippers. Meanwhile Henry Cavill (Batman v Superman, The Witcher) appears in one of his earliest performances. [Clive Barker](https://www.denofgeek.com/clive-barker/)’s gruesome, twisted psychosexual 1987 horror film, [Hellraiser](https://www.denofgeek.com/hellraiser/).
The initial reviews of the Hellraiser remake are out, and it looks like it is a mixed bag.
For all the flayed flesh and impaled skin in the picture, this Hellraiser isn't sharp enough." [Hellraiser reboot release date confirmed](https://www.digitalspy.com/movies/a40986536/hellraiser-reboot-pinhead-jamie-clayton-first-look/) [Los Angeles Times](https://www.latimes.com/entertainment-arts/movies/story/2022-10-07/review-hellraiser-luckiest-girl-alive-redeem-team-lebron-james-kobe-bryant) said: "There's something lacking. [First trailer for Hellraiser reboot with Sense8 star](https://www.digitalspy.com/movies/trailers/a41297817/hellraiser-reboot-trailer-jamie-clayton-pinhead/) [Hellraiser](https://www.digitalspy.com/movies/trailers/a41297817/hellraiser-reboot-trailer-jamie-clayton-pinhead/)'s remake has received a mixed response in its first reviews. [Rotten Tomatoes](https://www.rottentomatoes.com/m/hellraiser_2022).
Hulu's Hellraiser reboot makes some devilish changes to the lore that Clive Barker established in his 1987 cult classic horror movie.
One of the positives of the 2022 version of Hellraiser is it does away the muddied confusion as to whether the Cenobites’ Labyrinth is Hell in the Judeo-Christian sense, or if it’s simply a nightmarish parallel universe. It’s implied that all of the Cenobites were created in a similar fashion. Only those who’ve succeeded at feeding six victims to the box like Voight and Riley get the privilege, nay the pleasure, of Cenobite-hood. In that flick, Laurence was brought back for the first time since the ‘80s to throw Kirsty’s character under the bus. The original Hellraiser movies were actually far more bizarre and esoteric in their structure, despite delving into much of the same ‘80s slasher imagery as the later Nightmare on Elm Street movies (also in Barker’s movies, it’s the young people outliving the adults). But as she realizes what has happened, Pinhead appears to her repeatedly to bargain, even bending the rules to encourage Riley to keep playing, sometimes by letting her sacrifice a fellow Cenobite to the box, and sometimes by allowing her to pick a secondary victim by blood sacrifice after Voight gets in the way. In that film and its source material, one of the characters accidentally bleeds on the spot where Frank was abducted by the Cenobites, as well as where his last drop of semen landed. We later discover that the Leviathan-shaped puzzle box we saw at the beginning of the movie is the Lament Configuration’s final form. Rather than a perfectly cube-shaped box, it has an almost hourglass figure, and to solve its riddle, Joey must twist it closer to the shape of a diamond… Hellraiser (2022) is a different story entirely, one loosely about the destructive allure of addiction, and the lingering scars and regret it leaves behind. The flesh of Pinhead’s victims is not the only thing that’s bent in surprising and unnatural shapes. All the trailers and ads tease of familiar sensations, and suggest that we’re going back to the original source material for [Clive Barker](https://www.denofgeek.com/clive-barker/)’s twisted mingling of pleasure and pain, dominance and submission.
Hellraiser has always been a unique franchise in the horror genre. More art-house than the slashers that were popular at the time of its original release in ...
[Hellraiser](https://collider.com/tag/hellraiser/) is the best entry in the series since the original. Listen out for one of the [best soundtracks in horror](https://collider.com/best-horror-movie-soundtracks/). Hellraiser is available to stream on Shudder, Amazon Prime Video, and Tubi. [Hellraiser](https://collider.com/tag/hellraiser/) has remained an enduring cult classic among horror fans. While Inferno is not one of [Derrickson's best films](https://collider.com/scott-derrickson-films-ranked-by-metacritic-score/), it is still a worthy Hellraiser sequel that offers an early look into Derrickson's directing style and his eye for the twisted and surreal. While an improvement on Revelations, it is still one of the worst entries in the series and further condemned the franchise to wallow in the background until the recent reboot. The fourth entry in the series and the last to be released theatrically, Hellraiser: Bloodline is a time-hopping adventure that follows the Lament Configuration through three different time periods. It is the only way to send the terrifying Cenobite back to his own dimension before he can unleash hell on earth. Based on the novella The Hellbound Heart by Clive Barker, who also created [Candyman](https://collider.com/tag/candyman/), the series spans 11 movies, with the latest just released on Hulu. [Hellraiser](https://collider.com/tag/hellraiser/) has always been a unique franchise in the horror genre. Following three detectives who are pursuing a God-obsessed serial killer, the story also checks in with Pinhead and his new cronies from time to time. Pinhead is one of the
With this philosophy in mind, Clive Barker would go on to write and direct the first "Hellraiser" film, and from there spawn a massive franchise with a mind of ...
Unfortunately, this is a part of the story only explored in the movies, and is not mentioned in the There are even more examples of Cenobites who are mutilated beyond recognition to the point that their previous identities are almost non-existent, such as "Butterball" and "Chatterer." According to the films, Cenobites seem to believe that there is a level of pain so intense that it becomes indistinguishable from pleasure, which is why people seek out the boxes in the first place. It is made clear throughout the series that once the Cenobites are transformed in the creation chamber they lose all knowledge of their past selves. Similar to the Leviathan of [biblical theology](https://www.britannica.com/topic/Leviathan-Middle-Eastern-mythology), this being is the ultimate antagonist of the "Hellraiser" franchise that all the Cenobites are created to serve. [The Leviathan,](https://marvelousvideos.com/origin-of-leviathan-the-god-of-flesh-hunger-and-desire/)" with titles like "Lord of the Labyrinth" and "God of Flesh, Hunger, and Desire." It all depends on who is worthy enough in the eyes of the Leviathan, the evil entity the Cenobites serve. There are two things that can happen when the Cenobites are bound to a human who brought them into our world: They are chosen to become a Cenobite themselves, or they are tortured for eternity in Hell. Although they are powerful beings from Hell, the Cenobites are bound to the rules of the boxes that summon them. In the original "Hellraiser" film, the Cenobites are first summoned by the hedonistic Frank Cotton in his search for the most extreme physical sensations, opening a portal to their dimension. With this philosophy in mind, Clive Barker would go on to write and direct the first "Hellraiser" film, and from there spawn a massive franchise with a mind of its own. Read on to find out the rules that bind Pinhead and the Cenobites in each of the "Hellraiser" films.
Sometimes the most memorable figures in horror are powerful precisely because of how little we actually know about them.
Still, for now, this latest film lays so much of everything out for the audience that it robs the story of the fear of the unknown. When the Cenobites surround a character and begin to tear them to pieces, does it really matter about the lore of the box that brought them there? Not only does it not attempt to seek out much of anything new, it gets so fixated on explaining the box that it teeters on the edge of being a procedural thriller as opposed to a more fearsome work of horror. The sequence where a mesmerizing Clayton gives a monologue while Pinhead plays with yet another victim is frightening because of how simple it is. Even as it eventually finds its way to a third act that redeems much of the entire experience, it is still repeatedly hamstrung by this desire to make sense of everything. Websites pop up and news articles go across the screen, reducing the dark forces at the core of the story into something you can begin to learn about by turning to Google. It gets initially interrupted by the arrival of the rest of her roommates, but that only provides her with another opportunity to do more expository explaining about what is going on. Where the original rather cleanly and quickly introduced the item as a way to delve further into the horror, this retelling seems most interested in the mechanics of what this box is. It only serves to make the eerie and ethereal into something more defined by a rather banal and basic logic. At the center of this is the recovering addict Riley (Odessa A’zion) who gets roped into stealing the box by her boyfriend Trevor (Drew Starkey), from a safe being held in a supposedly abandoned shipping container. [Hellraiser](https://collider.com/hellraiser-review-reboot-david-bruckner-jamie-clayton/) is that [Jamie Clayton](https://collider.com/tag/jamie-clayton/) is outstanding as the new Pinhead. As a result, it feels painfully conventional in what it cares about and infinitely less cutting than [Clive Barker](https://collider.com/tag/clive-barker/)’s original work which was mostly driven by dread as opposed to details about lore.