“He changed his name when he was 18 to avoid confusion with another British musician of the same name, Davy Jones, who later became the frontman for The Monkees ...
Moonage Daydream, the acclaimed David Bowie documentary directed by Brett Morgen, is the biggest-grossing documentary of 2022 in any category, according to ...
Financed and executive produced by BMG, Angelheaded Hipster was written and directed by Ethan Silverman, produced by Bill Curbishley and Ethan Silverman, and follows the release of the extraordinary tribute album and musical companion album of the same name by BMG. The film chronicles legendary designers Storm Thorgerson and Aubrey “Po” Powell as they form their iconic album art design studio Hipgnosis during the ferment of the 1960s and go on to help shape a new visual language for rock in the 70s. The documentary was directed by Don Argott and Demian Fenton (Framing John DeLorean, Believer, Last Days Here), produced by Don Argott and Sheena Joyce for 9.14 Pictures, and executive produced by Wendy Dio, wife and longtime manager of Ronnie James Dio, for Niji Productions and Kathy Rivkin Daum for BMG. [Moonage Daydream](https://themusicuniverse.com/bmg-announces-definitive-new-david-bowie-film/), the acclaimed David Bowie documentary directed by Brett Morgen, is the biggest-grossing documentary of 2022 in any category, according to figures produced by [BoxOfficeMojo](https://www.boxofficemojo.com/title/tt9883832/?ref_=bo_se_r_1). Acclaimed filmmaker Brett Morgen (The Kid Stays in the Picture, Cobain: Montage of Heck, Jane) synthesized Bowie’s music and art into a sublime kaleidoscopic experiential cinematic odyssey that explores Bowie’s creative, spiritual, and philosophical journey. The film is currently airing on Showtime in North America.
Looks like a lot of David Bowie fans went to the movies this year. BMG reports that BoxOfficeMojo figures show the Bowie doc Moonage Daydream is 2022's ...
Just how big is that? Well, to put it in perspective, the doc at #2, 2000 Mules, brought in just $1.4 mil — and it came out in May, while the Bowie doc was released in September. [BMG](https://www.bmg.com/us/news/BMGs-Bowie-film-Moonage-Daydream-is-biggest-documentary-of-the-year.html) reports that [BoxOfficeMojo](https://www.boxofficemojo.com/title/tt9883832/?ref_=bo_se_r_1) figures show the Bowie doc Moonage Daydream is 2022’s highest-grossing documentary, grossing more than $12.2 million.
Steve Martin, founder of Nasty Little Man PR, talks about working with top clients like Paul McCartney, Foo Fighters, David Bowie and more.
If you build up goodwill with a client and tell them, “This is the exception” or “This is the one person who you should talk to,” you can get someone who is press-averse to trust you. You have to be really adaptable, do a lot of research and make sure you’re making the right choices, especially when a lot of my artists don’t like to do much of anything. At some point during the meeting, I remember [then-label president] Gary Gersh saying, “We’ll have ‘Hello Nasty’ name tags for every record store employee and ‘Hello Nasty’ shopping bags at every music chain.” I was like, “What is going on?” That’s when the band broke it to me — they did a really good job of making sure that didn’t leak to me. They’d always target Dave and say, “You think the drummer from Nirvana is going to be as big of a rock star as this band you’re turning down?” I’d always say, “I just like their music better.” I never understood why somebody would want me to represent them if I didn’t like their music that much. I write the entries, email them to him and he tells me whether he likes them or not. Very DIY: I had a small one-bedroom in the West Village and I was servicing press out of my house, [the landlord] was willing to look the other way because the building wasn’t zoned for business. When I got back from that trip, my first call was to my business manager to ask him, how do I whittle the roster down just to the stuff I love and go back to being more hands-on? You’re just a nasty little man!” I thought that was so funny, but it reinforced my belief that I had to figure out a way to work for myself. It got me back into gauging when was the right time to ask each band member to do the interview and going over talking points with the writer — basically, being a publicist again. Managers would say, “We like working with you, but we’re getting offered a seven-figure deal from Interscope.” Finally, I went to a couple of them and said, what if I started a company just doing what I do? Back then, you’d go to the show by yourself and make friends there — some of my closest friends to this day are people I met in that scene. I was the first-born kid, but the last to find my special purpose.
There are countless inspirational icons that David Bowie drew on for inspiration when writing his songs, but this one is somewhat unexpected.
Speaking about the otherworldly experience, Renck said: “I was looking for one of the icons of my youth to write the music for the title sequence, but was presented with a god. Released around the singer’s tragic death, the song is a piece of the artist himself, left behind on the physical plane as he descended upon a new one. There he would find the former director of Breaking Bad, Johan Renck, and his new series The Last Panthers. A captivating reptile able to change colour, costume and seemingly consciousness and the drop of a finely made hat. An icon of stage and screen, the singer was gifted in a variety of art forms, from music to acting and all the way into mime. There are a number of wonderful accolades and monikers given to Bowie, but more often than not, he is beastialised as a chameleon.