The Last of Us

It's too soon to say whether HBO's big-budget video game adaptation will become a zombie classic. But it delivers one heck of an opening catastrophe.

So as I write about the show, I will be focusing on how it works as a television series, and not on how well it does or does not adapt the game. With a well-thumbed volume of “The Billboard Book of Number 1 Hits” by his side, he waits to hear specific songs that signal whether it’s safe to venture beyond the Q.Z. Besides, I believe this show is a work of fiction, given that we don’t live in a 2023 where half the population has been taken over by fungi. [Bella Ramsey](https://www.nytimes.com/2023/01/11/arts/television/bella-ramsey-the-last-of-us.html)), a feisty 14-year-old who is the only known person to survive an infection — and, hence, could be the key to saving humanity. (In 2023, they are called “FEDRA,” for the Federal Disaster Response Agency.) And he smuggles drugs with his business and romantic partner, Tess (played by the magnificent Anna Torv, beloved of science-fiction/fantasy/horror fans from her days on “Fringe”). Set in 1968, the prologue features a TV interview with a scientist who explains that his greatest fear isn’t a “global pandemic” (a term that, in a moment of dark humor from Mazin and Druckmann, is defined by another guest for the blissfully ignorant ’60s audience) but rather a mind-controlling fungus that could one day thrive on a warming planet, turning humans into fiends. Beyond establishing the miserable conditions of 2023, Mazin and Druckmann must introduce the show’s other leading character: Ellie ( (“They’re coming to get you, Barbara!”) Or think of the 2004 remake of Romero’s “Dawn of the Dead,” or the first episode of “The Walking Dead,” both of which begin as the heroes wake up in a nightmarish world that collapsed while they were asleep. But I’ll say this for the series’s creators, Craig Mazin (the Emmy-winning writer and producer of “Chernobyl”) and Neil Druckmann (a creator of the video game): They do deliver one heck of an opening catastrophe. We see during the escape that Joel is willing to ignore other people’s suffering, or even to inflict harm wantonly, in order to protect himself and his family. And we discover that the government’s response to this crisis can be as destructive as the crisis itself. Most of the Texas scenes are from Sarah’s point of view, too, although there are sly hints throughout that something bigger is happening.

The first episode of HBO's The Last of Us largely sticks to the original script, with a couple of tweaks. Here's how it differs.

But the conclusion is very much the same: Sarah is killed by a trigger happy soldier ordered to enforce the town's quarantine at any cost, leaving Joel to grieve for years to come. That's covered in a short, 15-minute prologue in the game, extended to just over half an hour in the show. [game narrative](https://www.gq-magazine.co.uk/culture/article/the-last-of-us-part-ii-neil-druckmann-interview), its 81 minutes of runtime covering around the first hour of gameplay.

'The Last of Us' set a gold standard for video-game storytelling. The adaptation's premiere makes it clear HBO doesn't want to screw that up.

She also learns that Marlene does not like being called a terrorist, particularly when she knows she’s working for a greater purpose and Ellie is essential to the cause. Meanwhile, Joel and Tess plot payback on the battery dealer who ripped them off, a pursuit that eventually brings them to Firefly headquarters, or what’s left of it. These include, of course, FEDRA soldiers, including Joel’s painkiller customer, who seems willing to bargain with them for their escape until Ellie stabs him before he can see she tests positive for infection, after which Joel murders him with his bare fists (after a brief flashback to Sarah) as Tess and Ellie look on. But that doesn’t get in the way of her expressing her resentment with defiant sarcasm. After Sarah joins Joel and Tommy in a pick-up with a quarter tank of gas, the three speed across the outskirts of Austin only to find the highway choked with traffic and the fields filled with soldiers. There’s kindness in the way the soldier tells the girl, “What if I told you that after we gave you some medicine, we’re going to find you your favorite food to eat?” but it’s a lie. When Joel and Sarah encounter a soldier, it quickly becomes apparent he’s going to kill them, presumably acting on orders to take extreme measures to contain the spread of the infection. When Tess finds herself in the middle of a FEDRA-Firefly street fight, she does her best not to get involved. The series begins in a slightly different place, opening with a scene set at the taping of a talk show in 1968 in which a smug interviewer talks to two scientists. (Could the sirens she’s been hearing all day have something to do with it?) And she’s helpful with the Adlers, the family next door with the nice dog and a senile, wheelchair-bound mother named Connie who never talks. [PlayStation 3 game in the summer of 2013](https://www.vulture.com/article/the-last-of-us-hbo-adaptation-review-non-gamers.html), The Last of Us drew breathless praise from reviewers, but that’s not particularly unusual. But the show also feels like its own creation, in large part because the series, and its well-chosen cast, emphasize the emotions at the heart of the game, including an interest in what place morality has in a brutal postapocalyptic world and a sense that it is connections between people that make life meaningful, even when surrounded by monsters.

HBO's super-sized series premiere saw Joel (Pedro Pascal) navigate trauma and find new purpose in Ellie (Bella Ramsey), plus some video-game callbacks.

People don’t love that sequence because it’s two minutes of CGI forming different shapes; they love it because it’s two minutes of CGI telling a story of sorts by establishing the geography of the series as a whole and of individual episodes, changing periodically to introduce new spots on the map or prepare us to return to little-visited places like The Pyke. While the idea of the spores rising into something resembling a city — i.e., a metaphor for how the world as we know it has been consumed by the mushrooms — is clever, it’s still ultimately just a bunch of shapes, and not interesting enough to go on for as long as it does. And we discover that Marlene needs Ellie to get to her other Fireflies out west because Ellie is somehow immune to the infection. Ellie is not as in command of the situation as Tess was, but we also quickly see that she is not afraid of being shackled to a wall by armed people who won’t explain why they want her. Then purpose arrives in the form of Ellie, a girl close in age to Sarah who needs passage out of the city. He is emotionally closed-off and efficiently brutal, and when his new charge Ellie is threatened by a soldier late in the episode, he has a PTSD flashback to Sarah’s death and turns absolutely savage in the way he beats on this man. [zombies](https://www.rollingstone.com/t/zombies/), though we do get the disgusting imagery of a dead body absorbed into a wall of fungus when Joel and the others traverse an underground tunnel late in the hour. (We are introduced to her surrounded by armed men after a beating, yet it is clear that she is in command of the room the entire time, and would likely have found a way out of her predicament even if a conveniently-timed Firefly bomb hadn’t given her an escape route.) He is existing rather than living, haunted by the loss of his daughter even more than the loss of everything else he knew, with few goals beyond getting through the next day. Before we get to that violent escape from Boston, we first have to establish the state of America 20 years after the zombie uprising. So I’ll be discussing this episode, and all the ones to come, solely on the basis of how it works as a television show. But before that, we have to watch civilization fall in the way it tends to in so many dystopian shows and movies. Instead, creators Craig Mazin and Neil Druckmann are using those scenes to establish emotional stakes for Joel, and to make us deeply feel at least some of the pain he experiences when Sarah is shot by a panicked soldier on the night the world is wrecked.

In Austin, Texas, Operation Desert Storm veteran Joel Miller's (Pedro Pascal) birthday is blighted by the double whammy of his brother Tommy (Gabriel Luna) ...

As with Chernobyl, Mazin again demonstrates his ability to draw the viewer into the story – and make them care. Each of the opening three episodes takes us on a very different tonal journey. Cut to September 2003 and that nightmarish scenario begins to unfold, infections rapidly spreading around the globe. As a chilling 1968-set prologue involving the television appearance of an epidemiologist suggests, some fungi have the power to possess minds to help them reproduce, but human bodies were always too warm for them to survive in. Rather than a traditional virus, The Last of Us’ “zombie plague” is caused by a cordyceps (fungal) infection. But, if the world were to get slightly warmer, then – maybe – they just might adapt.

Pedro Pascal and Bella Ramsey lead this white-knuckle adaptation of the survival-horror gaming classic. Plus: Maternal is a fast-paced and stressful new ...

The scheming mayor’s young ward, Atari, flies to the island in search of his pet, and falls in with a canine pack voiced by the likes of Bryan Cranston, Edward Norton and Bill Murray. The second of three shaming films by Ken Burns, Lynn Novick and Sarah Botstein reaches the outbreak of war and unambiguous news of Nazi atrocities against European Jews. This new series of the compelling documentary strand was filmed last spring but even then – as paramedics respond to cardiac arrests, epileptic seizures and nasty falls – waiting times were stretching out alarmingly. This catchup revisits the venue a year later to see how Covid affected its attempt to attract a new clientele and balance the books. Last February, the BBC aired a charming documentary about a struggling Clacton working men’s club, which was attempting to modernise thanks to the proprietor’s daughters. It’s essentially a post-apocalyptic drama, but thanks to its origins, the story has real white-knuckle jeopardy.

It has been described as "comfortably the best adaptation of a video game ever made" that has been able to "break the curse" on gaming-TV crossovers.

"Through Ellie, we see its wonder. "Through Joel, we feel the heartbreak of this world," its chief television critic said. "The design is stunning: vistas of deserted, bombed out metropolises are matched by sprawling, Western inflected, shots of rural America." All this to an audience who may not traditionally engage with games. [there's some stand out acting in the series](https://www.theguardian.com/tv-and-radio/2023/jan/11/the-last-of-us-tv-finally-has-the-perfect-video-game-adaptation) acknowledging "it's a bold statement to make" but episode three "might well be one of the TV episodes of 2023". [gave it four stars, saying](https://www.independent.co.uk/arts-entertainment/tv/reviews/the-last-of-us-review-pedro-pascal-hbo-b2258847.html) it's "undoubtedly a new landmark in the seemingly impossible task of adapting video games".

HBO's post-apocalyptic drama series The Last of Us arrives, The Case I Can't Forget returns for a new run, and the always excellent Rory Kinnear stars in ...

Please review their details and accept them to load the content. A highlight is the new penthouse. He will call it The Bank of Dave. HBO's post-apocalyptic drama series The Last of Us arrives, The Case I Can't Forget returns for a new run, and the always excellent Rory Kinnear stars in The Bank of Dave . Inside they discover an exhausted wife who, despite her own physical problems, has been trying to save her husband's life. This gives Dave an idea. and depend on each other for survival. First there is the noise from tube lines that requires a rethink on the build and then, just weeks from opening, unprecedented levels of rainfall in central London cause the basement to flood and destroy much of what her team have been working towards. With the megabuild shell nearing completion, the hotel turns its attention to the interiors, employing some of the world’s top designers and craftsmen to meet the expectations of their well-heeled guests. Then he visits a Japanese-inspired micro-home in London and takes an inspiration trip to Israel to see one of the most unusual, hand-built homes he has ever seen. There she tries to help her brother, Nicky, convince their father, to put Ruth in a nursing home and face the end of their marriage. We need your consent to load this YouTube contentWe use YouTube to manage extra content that can set cookies on your device and collect data about your activity.

The zombie apocalypse depicted in the popular video game series and newly adapted HBO series “The Last of Us” derives from a mutation to a type of fungus ...

The zombie apocalypse depicted in the popular video game series and newly adapted HBO series “The Last of Us” derives from a mutation to a type of fungus called cordyceps. This should probably come as no surprise, though: Unlike in the games and show, cordyceps, as we currently know it, will not turn you into a zombie. Cordyceps is real, and some

The opening scene shows two epidemiologists speaking on a talk show in 1968, speculating about significant viral threats to human existence. One says viruses ...

We wanted to give us much reality as we could because the realer that is, the more we connect to the characters that are in that space playing around.” The game had spores in the air and people had to wear gas masks, and we decided, early on, that we didn’t want to do that for the show,” he said. Druckmann added: “With the more recently infected, we had a lot of conversation about what that vector could look like because there are certain things from the game that we took away. Mazin continued that the audience is more knowledgeable about pandemics these days than they were when the game first came out in 2013. This scene is pivotal to explaining how the outbreak in The Last of Us begins. The disease that wipes out most of humanity in The Last of Us is a fungus—a mutated microorganism known as cordyceps, which actually does exist in real life, but it can’t infect humans. “There’s a fungus that infects insects, it gets inside an ant, travels through its circulatory system to the ant’s brain and then floods it with hallucinogens, thus bending the ant’s mind to its will. The airborne spores that required gas masks to navigate are gone and instead, we have tendrils (which, by the way, will make your skin crawl from a visual perspective), potentially given the real-life COVID pandemic wherein a mask helps slows transmission. “So, if that happens—” the talk show host begins. [devour its host](https://stylecaster.com/watch-the-walking-dead-online-free/) from within replacing, the ant’s flesh with its own, but it doesn’t let its victim die. How did The Last of Us outbreak start? But in the end, we always win,” he explains, adding that fungus will be humanity’s undoing “in the most dire terms” and alludes to how it might begin.

While The Last of Us is deservingly praised for its human drama, the cordyceps help the franchise to also stand above other horror zombie productions.

In The Last of Us, human neurology is also altered to make the host more aggressive and more likely to bite and spread the fungi to new victims. While The Last of Us is deservingly praised for its human drama, the cordyceps help the franchise to also stand above other horror productions focused on zombies. But in the case of cordyceps, the result is terrifying. Since the planet's average temperature is rising, mutations that turn species more resistant to heat become more adapted to the environment. All the stories you heard about zombie ants eaten from the inside out by fungi are true, and the cordyceps are to blame. But there’s another reason why The Last of Us is such an exciting show.

That's the setup in the prologue to the video game, which puts you at the wheel of Sarah, Joel's aforementioned daughter, portrayed in the adaptation by Nico ...

The brilliance of the prologue in the game is that it dunks you in icy water from the off. Spending more time with Sarah, it's clearer to see why Joel, in the throes of grief even tweo decades later, so soon embraces this uncanny stand-in. Parker is brilliant, too: she imbues Sarah with the sure-mindedness of someone double her age, in friction with her innate, big-eyed innocence. What happens when the thing you love the most — in the case of Joel, played in the series by [Pedro Pascal](https://www.gq-magazine.co.uk/culture/article/pedro-pascal-interview-2022), his daughter — is snatched away from you by the cosmos, by circumstance, by something so insane as an overnight pandemic that renders its victims blood-thirsty, parasitic puppets? A family friend's farmstead burns in the night. He comes home, they watch a movie together, she falls asleep on his shoulder; it's the daddy-daughter relationship of a guy who simply does his best and a kid who, wise beyond her years, appreciates it nevertheless.

The "zombie virus" introduced in HBO's The Last of Us is unlike any you've ever seen before...

What’s so terrifying about this infection is that while we typically think of zombies as reanimated corpses that have been killed and then brought back to life by some sort of virus, the Cordyceps fungus technically keeps the host alive through this entire process, even though they aren’t conscious or in control. This stage of Cordyceps can occur anywhere between two weeks to a year after infection as the fungus takes further control over the host’s body. The next stage of infection is the Stalker, categorized by fungal plates that have begun to grow over the eyes. With that said, let’s dive into the different stages of infection we could see in this season of The Last of Us. Even though a newspaper found in the prologue of the game shows that the FDA tried to slow the spread by issuing food recalls, the incubation rate is so fast that hospitals quickly became overwhelmed at the onset of the outbreak. In this world, the Cordyceps fungus has mutated to infect the brains of humans, turning them into violent and bloodthirsty creatures intent on spreading the fungus as widely as possible.

To badly bastardise the words of Samuel Taylor Coleridge: Spores, spores everywhere and not a drop of a vaccine. That's the main issue facing the human race ...

[Comicbook.com](https://comicbook.com/tv-shows/news/the-last-of-us-spores-changed-games-tv-show-adaptation/): “In the game, there are these [parts] where you encounter spores and you need to put a gas mask on. [Collider](https://collider.com/the-last-of-us-craig-mazin-neil-druckmann-interview/): “The game had spores in the air and people had to wear gas masks, and we decided, early on, that we didn’t wanna do that for the show. [The Last Of Us](https://www.reddit.com/r/thelastofus/comments/105251c/hbo_series_will_not_include_spores/) Reddit page (this very subject kicked off a 1,200+ post discussion about it) one person commented: “I did find the spores to be a really unique aspect of the cordyceps fungi, and the overall infected in the universe. The writer and creative direction for The Last Of Us game, Neil Druckmann, told To badly bastardise the words of Samuel Taylor Coleridge: Spores, spores everywhere and not a drop of a vaccine. If you breathed in infected air of those suffering, there’s a good chance you would catch it too.

In its first 25 minutes, the HBO adaptation of 'The Last of Us' achieves an energy the game longed to emulate.

For those with a strong attachment to the original work, the last decade was essentially building up to this moment, and what transpires in the TV adaptation is something close to a (The remake with more modern tech, released last fall, is only somewhat better.) Since this is a game, it’s also a sequence with a fail state. It’s really something to see a prestige TV show literally translate a scene from a game that was, in its own way, already emulating a prestige TV show. The plane crash, for example, is an invention for the show; in the video game, Sarah and Joel are knocked out when another car slams into theirs. The HBO remake of the outbreak sequence is striking in how it fully realizes what the original work was simulating. Playing the game, you can feel The Last of Us strain to use its elemental tools to achieve the kind of cinematic storytelling it’s going for, even as it’s ultimately successful. The camera assumes a view from the back seat, mimicking Sarah’s perspective as the family tries to get out of Dodge. (Though one could possibly argue Alfonso Cuarón’s Children of Men, which does a ton of world-building through background elements that the camera often glides by, came quite close.) The very first character you control is Sarah, whom you guide through a splendid sequence that evokes the feeling of being a child alone at home. John Hannah plays the more portentous of the duo, laying out the mechanics of what will eventually drive the apocalypse in this universe: mind-controlling fungus, previously a phenomenon contained to the insect world, pushed by climate change to evolve such that it makes the jump into human beings. As someone long familiar with the source material, the choice is exciting: the HBO version places a premium on leaving room to breathe. This wasn’t necessarily the case in the source material. However, back in 2013, the game was still doing its best with the tools it had within the context of its medium.

The zombifying fungal infection that wiped out humanity in The Last of Us is based on a very real set of parasitic fungi that hijack insects and compel them ...

Though not confirmed, fans widely [expect](https://www.forbes.com/sites/paultassi/2023/01/14/will-naughty-dogs-next-game-be-the-last-of-us-part-3/?sh=3d9fa9907d0f) Naughty Dog will announce a third title in the game’s main series in the future and Druckmann has openly stated he feels there is “more story to tell.” [said](https://collider.com/the-last-of-us-cordyceps-infection-explained-neil-druckmann-craig-mazin-comments/) was taken to avoid actors having to wear obstructive gas masks for large portions of the show. This is a major departure from what happens in nature, where zombie fungi actually steer well clear of the brain and manipulate behavior with chemical signals, Hughes said. This discovery was made fairly recently and after the first game had been released. Presently, details are scarce, though a small amount of Araújo said it was a “shame” fungal spores have been removed from the show, a decision showmakers Since its release it has been remastered, remade and spawned a sequel, The Last of Us Part II. Though based on a game, viewers don’t need to have [played the game](https://www.forbes.com/sites/paultassi/2023/01/15/do-you-need-to-have-played-the-last-of-us-to-watch-the-hbo-show/?sh=3fba09355f95) in order to follow or appreciate the show and it [is](https://www.forbes.com/sites/erikkain/2023/01/10/hbos-the-last-of-us-review/) reportedly a [faithful adaptation](https://www.theverge.com/23550842/hbo-the-last-of-us-neil-druckmann-craig-mazin-interview), albeit with some significant differences. [concept art](https://www.gamespot.com/articles/the-last-of-us-factions-multiplayer-gets-new-concept-art/1100-6510286/) has been released. The first episode of HBO’s The Last of Us was released on Sunday. The first game, released in 2013 by studio Naughty Dog, is one of the most De Bekker said it was great the infected are shown as living beings—rather than the less natural “undead” commonly deployed in the zombie genre—but that their aggressive behavior is not in line with what infected insects do.

"The Last of Us" showrunners Craig Mazin and Neil Druckmann explained the opening scene on the official HBO podcast.

"One of the things that the opening does is place everything also within the context of a longer time span," said Mazin. This is part of the natural cycle of the planet. "I thought it was important to say to people, we are not a show that's asking you to share some of your own personal horror about the viral pandemic with us. "There was also a chance to address the elephant in the global room, which is we all just went through a viral pandemic," said Mazin. Starting the series this way has the simultaneous effect of keeping fans of the game on their toes and giving important context to newcomers to The Last of Us. [The Dick Cavett Show](https://www.youtube.com/@TheDickCavettShow), which is the scene that ends up in the series. It's a scene that's not present [in the game](https://mashable.com/article/the-last-of-us-hbo-game-vs-show); the cause of the Infected is explained through the game's opening credits news coverage montage and through various dialogue in cutscenes. The idea of this foreboding interview came from director Mazin, who spoke about the scene on Speaking with host and original Joel Miller voice actor Troy Baker, Mazin unpacked the cold open and how he had pitched two ideas for it to his fellow showrunner, The Last of Us creator Druckmann. Schoenheiss (played by Christopher Heyerdahl), who explains that fungal infection of this kind, though real, is not present in humans. And in the [HBO](https://mashable.com/category/hbo) adaptation, showrunners Craig Mazin and Neil Druckmann kick off the anticipated series with an extra introduction to the game's context to really hammer this mushroom foe home alongside the idea that disasters don't just happen overnight, somebody always sees them coming. Neuman (played by John Hannah) speaks on an interview show about the prospect of a viral pandemic.

Pedro Pascal is Joel<p> Game of Thrones/The Mandalorian's Pedro Pascal stars. 20 Images. Bella Ramsey as Ellie<p> Game of Thrones' Bella Ramsey plays Ellie ...

And in the game, while we may have seen her give the fixed watch to Joel, we didn’t see the thought that went into heading to the city to get it repaired. And it also gives Druckmann, the writer behind all of this, the chance to improve upon his own work from a decade ago, an opportunity many writers would kill for. But that question perhaps hangs heavier over this adaptation than others, as The Last of Us’ story is one that could very easily be transferred to television without many tweaks and still be riveting. As Sarah, she’s constantly relatable and charming, and the tear that escapes from her eye as she struggles to remain calm while Tommy and Joel rush them out of town is a brilliant little touch. As with any adaptation, one of the main questions facing HBO’s The Last of Us has been how much it will deviate from the source material. And that shot of the elderly Adler, Connie, subtly showing symptoms in the background while Sarah reads a DVD box? From there, we see her going through the day-to-day motions – attending school, heading into the city to get Joel’s watch fixed, reluctantly spending time with the neighbors, and watching in horror as the pandemic begins to unfold. Of those 34 minutes, only about 10 are spent directly adapting scenes from the game – specifically, when Joel, Sarah, and Tommy (Gabriel Luna) are booking it out of town, and staying true to its source to the point of showing Joel electing to keep driving past a family begging for help. Firstly, some context for the virus that the characters are about to face, with a talk show clip from 1968 that has doctors explaining the threat that a certain type of fungus could pose to the human race (interestingly enough, the game saved its snippets of panicked news reports for after the initial intro, placing them over the opening credits that follow the title card). The end result – Sarah dying in Joel’s (Pedro Pascal) arms – is the same, but the journey to get there is a key example of how adaptations can build upon their predecessors while staying loyal to them. It’s one of the things that made The Last of Us the touchstone that it is, establishing an integral part of our protagonist’s motivations and setting the stage for one emotionally grueling game. In fact, it quite literally doubles the runtime of the intro;

Naughty Dog's Neil Druckmann was working on it to make sure it was faithful to the game. Chernobyl's Craig Mazin was writing it. It was on HBO. And when early ...

Fanboys made a big deal out of a quote where she said she was told not to play the game, implying that would make her performance unfaithful. While everyone remembers the breakout performance she gave in a few scenes as young Lyanna Mormont in Game of Thrones, she was a somewhat unknown quantity here. Hell, even one of the same actresses shows up to play the same role she had a decade ago (Marlene). HBO, even going through massive cutbacks in the David Zaslav era, has clearly unleashed the floodgates to give The Last of Us whatever budget it needs. Even getting my hopes way, way up ahead of the premiere of The Last of Us last night, even counting the series as one of my favorites in video game history, it actually exceeded my expectations. Naughty Dog’s Neil Druckmann was working on it to make sure it was faithful to the game.

This desperately moving drama set in a zombie-ravaged US is a phenomenal blend of horror and heart, with a cast that could not be more perfect.

Yet it manages to find humanity in the ruins – and that makes it worth the hardship. It is a gorgeous detour into the wider world; as many critics have said already, it might be one of the finest episodes of TV you will see this year. The fact that it manages to resist a sentimental approach and yet still finds such soul is a real achievement. What is left of society is in the hands of an authoritarian military regime fighting rebel groups classed as terrorists and it is bleak as hell. The Last of Us is violent and maudlin. That is the terrifying premise of The Last of Us (Sky Atlantic), another post-apocalyptic prestige drama in a TV landscape that, for understandable reasons, is stuffed with game-over scenarios.

It's early days, but this video-game adaptation about the world being overrun by fungal zombies is expertly done. Newcomers and original gamers will be ...

I want to try to keep comparisons and mentions of the video game to a minimum and treat this as a separate entity – it has to work as a standalone, not just for fans of the game who know what’s coming – but so far, this series has done an amazing job of transporting the characters to screen. They accepted the mission, only to encounter the Fedra soldier Joel had sold pills to earlier in the episode. After Joel smashed their neighbour Mrs Adler’s head in with a spanner, he, Sarah and Tommy tried to escape the area in their pickup truck as all hell broke loose around them. Boston, 2023, and the world is wrecked. We heard about a disturbance in Jakarta on radio – ominous – and learned Joel works in construction – handy. Hello and welcome to The Last of Us episode recaps.

The post-apocalyptic American drama is here. Created by Craig Mazin and Neil Druckmann, the efforts have already paid off as the series currently boasts a ...

The Last of Us season 1 has nine episodes in total. [HBO](/topic/hbo)’s The Last of Us. And it looks to have paid off, since the first season of the programme presently boasts a 97% critic score on [Rotten Tomatoes](/topic/rotten-tomatoes).

From 1993's Super Mario Bros film which regularly features on lists of the worst films of all time, to the three Lara Croft Tomb Raider films released from 2001 ...

When a video game adaption is trading on the brand and reputation of its source material, not winning over the original fans and players can leave them with few other audiences. The characters and overall narrative were deemed too dissimilar to their original video game sources, leaving viewers frustrated. When the game was released in 2013 for the PlayStation 3, it received unanimous critical and popular acclaim and is considered one of the greatest video games of all time. Human civilisation has collapsed and is contained in quarantined zones after the spread of a highly contagious fungal infection that transforms victims into mindless and aggressive monsters. However, HBO did a lot of things right. A film was announced in 2014 before falling through. All the ingredients, you would think, needed for a television or film hit. When HBO announced in 2020 a television series was in the planning stages, this was met with some scepticism. It’s a long running joke just how terrible film and television series based on video games inevitably are. IGN – the list goes on. Frustratingly, there is no reason for this terrible track record. However, to say video game adaptations are often awful is an understatement.