Daisy Jones and The Six

Based on the bestselling novel and borrowing heavily from 'Almost Famous,' Prime Video's 'Daisy Jones & the Six' reaches for a vibe but never fully feels ...

That said, the most candid and reflective participants in the documentary are Claflin’s Billy and Morrone’s Camila — a payoff to the anemic framing device. If Billy’s younger brother Graham is explicit in the novel about his issues with his talented, egotistical brother, the show’s Graham is gentle and unbothered. It’s to Morrone’s credit (and the show’s) that she capably stewards the role through genre conventions that would normally stamp her as a doormat or killjoy. “Daisy Jones & the Six” also forgoes one of the main advantages of an oral history (which the novel uses to good effect), namely, that discrepancies in people’s accounts can yield productive doubt about what really happened. They acquire a following, but it’s only after the arrival of Daisy Jones (Riley Keough) — a glamorous and eccentric fixture of the Los Angeles music scene who won’t settle for being a muse but hasn’t quite mastered writing songs of her own — that they achieve superstardom. Even the music — written by Blake Mills with assists from the likes of Phoebe Bridgers, Chris Weisman and Marcus Mumford, to name a few — is tailored to evoke something that could have blown minds back then because it borrows so heavily from the stuff that did.

Adapted from Taylor Jenkins Reid's bestselling novel, the new Amazon Prime Video series is loosely based on Fleetwood Mac.

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In 2019, Taylor Jenkins Reid released Daisy Jones & The Six, a novel that would quickly capture the attention of what has become known as “Booktok” – or for ...

Daisy and Billy take up a lot of screentime in the series, which is to be expected, the story after all is mostly about their magnetic pull which Keough and Claflin portray so convincingly. But broaden your gaze to include each character’s story, the music and the 70s nostalgia and the series is a compelling watch containing so much more than a complex love story. He tells the story of a man desperately trying not to fall in love with one of the most charismatic women of their time, battling urges of addiction, and the pressure he put on himself to be great. It takes an experienced and talented actor to portray such intense emotions without the aid of expressive dialogue but the star did it with ease. The first three episodes of the show are a rather slow burn, but it’s worth persevering because by episodes four and five, you’re hooked. The opening scene is a perfect taster of what’s to come.

Taylor Jenkin Reid's best-selling novel about the rise and fall of a dysfunctional 1970s rock band is coming to the small screen soon and we couldn't be ...

Former Hunger Games and Me Before You actor Sam Claflin stars as Billy Dunne, front man of The Six. Is there a trailer for Daisy Jones and The Six The cast of Daisy Jones and The Six is absolute next level.

REVIEW: Rather than the story's mirroring of Fleetwood Mac's tempestuous dynamic, it's the costuming, production design and acting that stands out.

But rather than its mirroring of the Go Your Own Way creators’ tempestuous dynamic, it’s the costuming, production design and acting that stands out. * That’s because, like those two earlier tales, this is also mainly set in the evocative and provocative 1970s. To be fair, these latest rockers actually started on the printed page – the focus of Taylor Jenkins Reid’s critically acclaimed 2019 novel that bears their name. Teeth and the Electric Mayhem, you can now add Daisy Jones & the Six.

Sex, drugs and rock and roll abound in Daisy Jones and the Six, the rollicking, drama-filled show about a rock band from the '70s, out March 3 on Amazon Prime.

“It was just a beautiful experience, all in pursuit of really bringing a sense of authenticity to how the story was told and trying to make people really feel like they were in the studio or on the bus with them.” The process of adapting Daisy Jones and the Six for a television series started with an exhaustive foray into researching the history of music industry in the 1970s, paying special attention to the rock scene. Fans of Reid’s know that she often slips references to characters or events from other books into her work and Daisy Jones and the Six is no exception. Daisy Jones is referenced in Reid’s 2018 novel, Evidence of the Affair, as a musical artist, as well Reid’s most recent book, 2022’s Carrie Soto Is Back, where the titular protagonist is reading a book about Daisy. With its heavy dose of sex, drugs and rock and roll, perhaps it should come as no surprise that Daisy Jones and the Six has drawn multiple comparisons to Fleetwood Mac, the iconic rock band whose interpersonal drama not only provided rich fodder for their music, but has become the stuff of rock legend. “We all got very excited about telling the story of a version of Camilla that was really human, sometimes goofy, but someone who can understand that bringing Daisy into the band is both good for her and potentially not great for her, but making the decision to do it anyway.” In the book, where the story is told entirely in the recollections of the band and their colleagues, Camila often comes off as saintly, a wife and mother often spoken of in reference to tolerating Billy’s indiscretions and struggles with addiction with patience and tenacity. “For me, she was always the sort of most important character in the story,” he adds. For Neustadter, Simone’s broader storyline provided the opportunity to show a more diverse world outside of the insularity of Daisy Jones and the Six. And especially in the world of disco, which is so much about freedom and expression, that dichotomy was was very interesting to us. It felt like eliminating Pete enabled us to do more with the characters that we had in the ensemble, which was already a pretty big group of people. Showrunner and writer Scott Neustadter says the decision to write out Pete came from wanting to ensure that all the characters in the ensemble were fleshed out, with more minor characters in the book, like Teddy Price, a music producer, and Simone Jackson, a disco singer who is Daisy’s best friend, getting larger storylines in the series.

A review of the Amazon Prime Video miniseries adaptation of 'Daisy Jones & The Six,' based on the Taylor Jenkins Reid novel and starring Riley Keough, ...

Daisy Jones & The Six’s version of that question is “When did you first fall in love with music?”, which doesn’t make for nearly as reflective an answer since the series’ depiction of that “when” is so clichéd. In spending so much time centering Daisy and Billy in the studio and Camila’s growing suspicions about their relationship outside of it, Daisy Jones & The Six loses the text’s equitable quality, fails to fully take advantage of its split-timeline setup, and indirectly does Fleetwood Mac a disservice. What Daisy and Billy might see in each other is all Daisy Jones & The Six lets us see, too. Using the documentary framing to interrogate the band members’ divergent memories of what happened in the ’60s and ’70s would have added an intriguingly sticky layer to their own conceptions of themselves, an angle the show feints at whenever Billy and Daisy argue about their oppositional versions of the truth, but unfortunately avoids using for others in the Six. Instead, the talking-head interviews often just reiterate what we already saw onscreen, as if the show doesn’t trust that its audience is entirely paying attention: Billy and Camila kissing, and Eddie bemoaning that they started dating; Billy and Daisy arguing, and Billy describing their argument. The songs help, too; written by Blake Mills with a passel of collaborators including Marcus Mumford and Jackson Browne and performed by the actors, they’re catchy enough when we intermittently get to see them in full. And some of them, like Daisy and Billy, are caught up in their own mixture of bitterness and bemusement; whatever happened between the two of them, it hurt. [partially inspired](https://hello-sunshine.com/post/how-fleetwood-mac-influenced-daisy-jones-the-six) by the infamously stormy relationship between Fleetwood Mac’s [Stevie Nicks](https://www.vulture.com/2013/06/stevie-nicks-on-life-at-65-with-fleetwood-mac.html) and [Lindsey Buckingham](https://www.vulture.com/article/interview-lindsey-buckingham-on-fleetwood-mac-stevie-nicks.html)) into a claustrophobic love triangle mostly uninterested in looking beyond its three points, and indifferent to the paranoia and exhilaration of the 1970s. Some of them are matter-of-fact about what they had and what they lost, like the brusque Karen. After the band and Camila move to California, they’re joined by keyboardist Karen and name themselves the Six. The cast transcends nearly all of these limitations — and some inevitable comparisons to the similar-in-subject film Almost Famous — to craft enjoyable melodrama; if you’re convinced by Keough’s unflinching stare or how Claflin clenches that sculptural jawline, you’ll be hooked early on. The garment links you, the listener, to them, the band, and you can be part of that public fandom for $39 or so.

Everything you need to know about the Daisy Jones & The Six soundtrack and every song in the Prime Video drama, based on the novel by Taylor Jenkins Reid.

Most interestingly, the series doesn't include a Daisy Jones & The Six original song for the title sequence. For more from the biggest stars in TV, listen to [The Radio Times Podcast](https://www.radiotimes.com/audio/podcasts/). On the release of the series on Friday 3rd March, fans will also be able to listen to Daisy Jones & The Six as if they were actually a real band. Read on for everything you need to know about the soundtrack to Daisy Jones & The Six. Scott Neustadter, co-writer and executive producer, also shared in a statement: "Aurora represents the pinnacle of a short-lived recording career. Aurora will be released for real and will feature lead singles 'Regret Me' and 'Look At Us Now (Honeycomb)' which are already available to stream. I am grateful that, among other things, it afforded me an opportunity to collaborate with so many of my peers, and also some of my heroes.” Daisy Jones & The Six are real. Aurora features contributions from Phoebe Bridgers, Jackson Browne, Marcus Mumford and more. On the announcement of the album, Reid said in a statement: “We finally have Aurora. A snapshot of time, intoxicating and dangerous. A stunning, nostalgic, timeless album that captures the drama, pathos, and yearning of the band’s zenith and nadir all in one.

Where was 'Daisy Jones & The Six' filmed? From the US to Europe, transatlantic travel meets punk rock – here's a behind-the-scenes look of Taylor Jenkins ...

As a slice of classic Americana, the show rightly took to the streets of two of the US’ great music cities and made them over as if the 70s had never ended – before an unexpected stop-off in Claflin told Vanity Fair, “By the time we got back in June of last year, we’d all improved so massively musically that we immediately just sort of gelled as a band.” [Big Little Lies](https://www.cntraveller.com/gallery/where-is-big-little-lies-filmed) and the film adaptation of [Where the Crawdads Sing](https://www.cntraveller.com/article/where-was-where-the-crawdads-sing-filmed), and showrun by Scott Neustadter, writer of 500 Days of Summer and The Fault In Our Stars, the series brings us an intriguing cast.

As soap operas set against the world of sex, drugs and rock 'n' roll go, "Daisy Jones & the Six" is a by-no-means groundbreaking but still-enjoyable account ...

“Daisy Jones & the Six” doesn’t quite qualify as a dream come true, but it does turn its fictional story into a four-star soap, wistfully capturing this musical era broadly and the sometimes-fleeting nature of stardom. But the show mostly works by charting its own course, namechecking cultural artifacts of its era (Barry Manilow and “Rollerball” among them) while more narrowly focusing on the band, with all the festering resentments and simmering attractions that go with the creative process. [“A Star is Born”](https://www.cnn.com/2018/10/04/entertainment/a-star-is-born-review/index.html) to Tom Hanks’ ode to one-hit wonders “That Thing You Do.” Credit that in part to the cast, starting with [Fleetwood Mac](https://www.cnn.com/2022/12/01/entertainment/stevie-nicks-christine-mcvie-friendship-cec/index.html) as a source of inspiration. Inevitably, “Daisy Jones” feels derivative of any number of rock ‘n’ roll stories, and the egos and excess that go with them, from “Almost Famous” to the last two versions of

A guide to all the adaptation's major differences, from Billy and Camila's first meeting to a new version of “Honeycomb.”

Missing from the series is the novel’s bassist Pete (as well as a previous guitarist Chuck, who dies in the Vietnam War). The group is fronted by lead singer Billy Dunne (Sam Claflin) alongside his guitarist brother Graham (Will Harrison), bassist Eddie (Josh Whitehouse), and drummer Warren (Sebastian Chacon). [Daisy Jones & the Six](https://www.vanityfair.com/hollywood/2022/12/daisy-jones-and-the-six-exclusive-first-look)—the saga of sex, drugs, and rock and roll starring Riley Keough—has taken the stage. The series takes an understandably more visual approach, turning the narrative device into a documentary, where key players give on-camera interviews about their experiences from decades earlier to a (for now) unnamed documentarian. As for Reid, whose blockbuster oeuvre includes The Seven Husbands of Evelyn Hugo (coming soon to Netflix), she’s also given the series’ stars a standing ovation. “And so for me, it was always like, I would be so mad if someone adapted a book that I loved and didn’t do the right thing.

Ultimately, it's a show that feels small for a band that was reportedly so big.

There’s also an increasing sense that the show wastes its setting and period by staying in the studio or Billy’s house for such long stretches of time. [Almost Famous](/reviews/almost-famous-2000),” of course, but that’s not a criticism in that the show echoes that film’s joyous creative spirit at its best in these first chapters. Ponsoldt and his team give these episodes a buoyancy, and Claflin and Keough really understand the “hungry artist” chapters best of all, making that blend of ambition and anxiety that often coalesces into creative genius. The interviews establish the older versions of these characters and their bandmates as people with skeletons in their closets, and then the show reveals how they got buried. So the bulk of the drama plays out as a flashback, starting with introductions to Daisy Jones ( Adapted from Taylor Jenkins Reid’s bestselling 2019 novel of the same name, “Daisy Jones & The Six” uses the tempestuous creative and personal dynamics within the band Fleetwood Mac to tell its own story of a ‘70s band that burned out instead of fading away.

Houston, we have a pacing problem. At least now we also have Teddy. A recap of “I'll Take You There,” episode 2 of Amazon's 'Daisy Jones & The Six.'

Teddy drives Billy to the hospital on the night baby Julia is born, but Billy is too drunk, stoned, and self-loathing to even get out of the car. She actually takes the time to write him a song that moves the way he tells her a song should. Eventually, Daisy falls under the same spell that gripped Billy for a time — a need to please Teddy Price. When Teddy first offers to work with her, she’s offended that he suggests her songs need work at all, that she hasn’t arrived on the scene fully formed. Camila makes them whole, and Camila makes them the Six. And The Six leave pregnant Camila in the hills as they embark on their first real tour. For Billy, the tour could not be coming at a more — and less — opportune moment. With 16 minutes left in the episode, all of the following occurs: The Six records an entire album off-screen. He eventually agrees to call his buddy at Filthy McNasty’s, the dirtiest and emptiest club on the Strip, to set them up with a gig, but that’s where the free help ends. Eventually, the Six do get a chance with Teddy. The band is just as smitten with her lush keyboards as young Graham is smitten with the English rose playing them. When the name Teddy Price (Tom Wright) is first uttered in the series premiere, Billy Dunne’s reverence is clear; by the end of “I’ll Take You There,” that reverence feels entirely deserved.

Almost Famous, This is Spinal Tap and David Brent: On the Road have got to be in there.

Stillwater is loosely modelled – like Daisy Jones & The Six – on the thorny love lives of the bands Crowe interviewed as a young journalist for Rolling Stone, including Led Zeppelin. Who could have believed a man named “Ned Schneebly” would become one of the most famous rock musicians of all time? It's hard to overstate the cultural impact of John Belushi's Blues Brothers since the film's 1980 release. Poetically, neither of them had the same success as the classic BBC show itself. In fact, Brent's music struck such a chord with fans of the show that Gervais managed to spin it off from the original BBC series into a real-life tour, and a spin-off film. The film – a bizarre, backwards-told coming-of-age rock story – received mixed (and borderline savage) reviews for its janky structure, surreal tone, and dark subject matter. According to Rob Reiner’s 1984 music mockumentary, fictional band Spinal Tap were a British heavy metal band, formed back in the heady days of the 1970s. The band itself, including Rosario Dawson, Tara Reid, and Rachael Leigh Cook, sport enjoyably millennial outfits and play some winning, early noughties pop-rock tunes. David Brent's distinct brand of bad-dad band music brings sweet belly laughs to those able to stomach it. The band’s members – David St. And who knows? After nearly 20 years, this has earned a solid cult status, despite initially flopping on release.

When Sam Claflin and Riley Keough were first cast in the all-singing, all-rocking '70s music drama Daisy Jones & The Six, neither of them could actually sing.

The best bit about being Camila: “The lifestyle – being a rock star in the ‘70s there was so much more freedom. They have a long and very beautiful life together which has a couple of bumps in the road, but she has a strength that prevails.” Therefore they probably had a lot of fun in the ’70s – the drugs, sex and rock and roll. The best bit about being Warren: “Learning about rock – I grew up on Latin music, a lot of Brazilian funk and disco. Signature prop/set: “Eddie’s bass – I remember one day when the Fender truck rolled up and we were just like ‘phwoah!’ They gave me a new bass to work with in rehearsals and I got so attached to it. What they do: “Camila is the light and heart of this show. He wants to be the frontman deep down and he has some jealousy issues with Billy.” What they do: “Eddie’s reputation is that he’s got a bit of a chip on his shoulder. What they do: “Karen is the only girl in the band until Daisy Jones comes along. With the introduction of Daisy Jones, they start to reach some bigger heights…” “But then we sang and I was thinking, ‘Oh yay, we’re both awful!’” “So whoever we hire [as her partner] will have to be a great singer to balance her out.” Claflin jumps in: “And then they went for me!

Stevie Nicks and Lindsey Buckingham were together again onstage, lit up in blue, performing a song that had helped fuel their rise so long ago.

“I’ve known Stevie since I was 16, so I would like to think there’s a better way for us to finish up than we finished up,” he said. [ Speaking to the Los Angeles Times in 2020](https://www.latimes.com/entertainment-arts/music/story/2020-09-30/stevie-nicks-fleetwood-mac-solo-concert-film), she called it “a long time coming.” And we were none of us willing to give up the band.” Buckingham and Nicks had each made their way back to Fleetwood Mac following the 1997 special that brought the Rumours-era lineup back together. “And that was when the whole world just ripped us apart.” A brief marriage came in 1983, when, grief-stricken over her best friend’s death, she’d had what she later described as a “crazy” thought: that her friend would want her to become her baby’s stepmother. [once quipped](https://www.fleetwoodmac-uk.com/articles/archive/SNart014.html) “were about as compatible as a boa constrictor and a rat,” were breaking up. “He was standing there grooving to this searing guitar solo and he needed a guitar player. “And we’re going to end up breaking up and everything we’ve worked for is going to be done and it’s all going to be for nothing. Its flop, after all they had put on the line, inspired the lyrics of “Landslide,” which would become a hit for Fleetwood Mac. But the real-life relationship that gave rise to the book and now the series, which premieres Friday on Prime Video, was just as passionate and tumultuous. [wrote in a piece for Hello Sunshine](https://hello-sunshine.com/post/how-fleetwood-mac-influenced-daisy-jones-the-six/), the production company behind the show.

Taylor Jenkins Reid's bestseller-turned-series about a Seventies rock band is finally streaming. Here's how you can watch the new show for free.

[Kindle](https://www.amazon.com/Daisy-Jones-Taylor-Jenkins-Reid-ebook/dp/B07DMZ5YR9?linkCode=ll1&tag=rollingston07-20&linkId=4e7538a1936c8687b3fbcc3ef6a05c9d&language=en_US&ref_=as_li_ss_tl&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F) or listen to the [audiobook version](https://www.amazon.com/Daisy-Jones-Six-audiobook/dp/B07K8WGT23?_encoding=UTF8&qid&sr&linkCode=ll1&tag=rollingston07-20&linkId=9631cd097f41a9bb18ce13a98ae883b7&language=en_US&ref_=as_li_ss_tl&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F). [ Buy Daisy Jones & The Six: A Novel $9.99](https://www.amazon.com/dp/1524798649?tag=rollingston07-20&linkCode=ogi&th=1&psc=1&language=en_US&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F) And they are better than my wildest dreams.” [ Buy Aurora (Amazon Exclusive Orange Vinyl) $27.98](https://www.amazon.com/dp/B0BS9Y71BP?tag=rollingston07-20&linkCode=ogi&th=1&psc=1&language=en_US&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F) [Taylor Jenkins Reid’s novel](https://www.amazon.com/Daisy-Jones-Taylor-Jenkins-Reid/dp/1524798649?linkCode=ll1&tag=rollingston07-20&linkId=2fa3dbfbceaebb97dea10640605f7532&language=en_US&ref_=as_li_ss_tl&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F) about sex, drugs, and a famous Seventies band’s rise to stardom, [Daisy Jones & the Six](https://www.rollingstone.com/tv-movies/tv-movie-reviews/daisy-jones-and-the-six-review-prime-video-riley-keough-sam-claflin-fictional-rock-band-1234676625/), rocked bookshelves everywhere. Set to the soundtrack of original music from the Daisy Jones & the Six — this is the story of how an iconic band imploded at the height of its powers.” [Reid previously shared](https://www.rollingstone.com/music/music-news/daisy-jones-and-the-six-aurora-album-announcement-1234664686/) following the release of “Regret Me.” “A stunning, nostalgic, timeless album that captures the drama, pathos, and yearning of the band’s zenith and nadir all in one. While the show might tell the story of a fictional band, fans can still buy the series’ soundtrack and the band’s album Aurora on an exclusive orange vinyl. Daisy Jones and The Six are real. [ Buy Daisy Jones and The Six: Season 1](https://www.amazon.com/dp/B0B8NS22S2?tag=rollingston07-20&linkCode=ogi&th=1&psc=1&language=en_US&asc_source=web&asc_campaign=web&asc_refurl=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fhow-to-watch-daisy-jones-and-the-six-online-free-1234689254%2F) The Amazon Studios and Hello Sunshine series includes 10 episodes, with each airing weekly on the streaming service. Now, decades later, the band members finally agree to reveal the truth. If you haven’t read the bestselling book yet, Amazon explains that Daisy Jones & the Six, the show, “follows the story of the iconic 1970s band, fronted by two feuding yet charismatic lead singers, Daisy Jones and Billy Dunne.

Listen to an excerpt from the Daisy Jones & The Six audiobook featuring Jennifer Beals, Judy Greer, Pablo Schreiber, Benjamin Bratt, and more!

Daisy Jones & The Six, both the series and its source material, follow asynchronous timelines with the former members of the band giving an interview about their history years in the future. You can listen to the audiobook excerpt below. The story follows a fictional rock band's meteoric rise to fame by exploring the interpersonal relationships between the members of the band from its inception to its heartbreaking and sudden end.

The Amazon mini-series about the rise and fall of a 1970s band mixes music, nostalgia, romance and a heavy dose of soap opera.

Simone is at the center of one of the show’s lowest points, an extended sequence in which Daisy flees to Greece and marries a European aristocrat, who appears to be introduced solely so he can push Daisy over the brink of addiction (from which she can be rescued by her fellow well-meaning Americans). But their relationship, as portrayed, is kind of a drag, and both characters are unlikable in ways that are supposed to lend authenticity but mainly just make it hard to care about them. The appearance of a cub reporter for Rolling Stone pays homage to “Almost Famous.”) We’re told in passing that Billy hasn’t seen his father in years; when Dad happens to be at one of the band’s gigs, Billy walks up and almost immediately punches him. It’s big, all right, but most of the fun seems to have been lost in the mix — someone dialed down the romance and escapism and slid up the knob labeled “solemn tear-jerker.” You’re expecting “Rhiannon,” but what comes out of the speakers is more like “MacArthur Park.” Their lack of direct experience with the period might have something to do with the show’s impulses feeling more curatorial and fannish than dramatic.

Sam Claflin, Riley Keough, and more in a Fleetwood Mac-inspired band. Sam Claflin and Riley Keough as Billy Dunne and Daisy Jones in Daisy Jones and the ...

Warren is the drummer of the band and probably the most laid-back member of The Six. She plays the keyboard and is one of the most empowered women in the show. Nabiyah Be is an actress and a musician from Brazil. Whenever Daisy is having a hard time dealing with fame and emotional hardships, Simone is always there to help her friend out. He also complains that he doesn't get as much attention in the public eye as Billy or Daisy. Graham Dunne is Billy's younger brother and the lead guitarist of The Six. Before portraying the guitarist, he starred in an episode of the CBS series Madame Secretary. Daisy Jones is an emerging singer-songwriter that is asked to join a well-known band, The Six, on tour. Yet, when she notices that Billy is gradually becoming a little too involved with his new duet partner, the character makes sure to let him know that she is too good to be traded by another woman. After she collaborates with them on a few songs that top the charts, she ends up joining the band, which is then renamed Daisy Jones and The Six. In a documentary-style format, the band members share all the ups and downs of their journey and detail all the problems that lead them to eventually part ways. The story follows a 70s rock band that breaks up at the peak of their career over strained relationships and pressure from the public eye.

'Daisy Jones & the Six' hits Prime Video on Friday, March 3. Here's how to watch the anticipated series online.

The first three episodes of “Daisy Jones & the Six” will arrive on Prime Video on March 3 at 12 a.m. This volatility ultimately leads to the group’s final unraveling, which each of the members — including Graham (Will Harrison), Karen (Suki Waterhouse), Warren (Sebastian Chacon) and Eddie (Josh Whitehouse), as well as Billy’s wife, Camila (Camila Morrone) — retell in their own disparate versions throughout the series. [review of the series. In the show, Riley Keough (“Zola”) stars as the singer and songwriter Daisy Jones, who teams up with the band the Six. Like many of the iconic bands during this time period, their rise to stardom is as much exhilarating as it is tumultuous, mostly due to the intense rivalry between Daisy and the band’s lead singer Billy Dunne (Sam Claflin). Five years later, the 10-episode season is finally here.

Based on Taylor Jenkins Reid's hit novel and starring Riley Keough, this Prime Video series focuses on a fictional 1970s rock band that disbanded at the ...

[Student discount promo code: $100 off the GoPro HERO11](https://www.wsj.com/coupons/gopro) Over 10 episodes (or “tracks,” as they’re described), the series is a memory tour framed by interviews with the eponymous, superstar rock band that played a sold-out concert at Soldier Field in Chicago in 1977 and never performed together again. One way to digest the fictional rock saga “Daisy Jones & The Six” is as a spoof—not just of ’70s pop-star pretensions or celebrity excess but of the historical documentary as a genre.

Picture this: A 1970s rock band at the height of its power, with big egos, big romances and big fights brewing beneath the surface of the music.

But her brassy alto has a twang which, combined with lovelorn lyrics and strummy melodies, gives the songs a country flavor that is dissonant with the rock genre the band is trying to emulate. Weber ("The Disaster Artist"), "Daisy" tells the band members' story in 1997 to a documentarian, 20 years after their heyday of No. Meanwhile, keyboardist Karen (Suki Waterhouse) and guitarist Graham (Will Harrison), Billy's brother, have their own rocky relationship, and bassist Eddie (Josh Whitehouse) feels pushed to the background. Billy's band and Daisy's solo act struggle and scrape by, but when a music producer (Tom Wright) puts them together, they become hugely popular, virtually overnight, even as drama bubbles behind the scenes. It is fleeting Fleetwood fan fiction, a far cry from capturing the true essence of the ’70s era. A VH1 "Behind the Music" documentary?

The Amazon Prime Video series is a rock 'n' roll soap opera that's not exactly based on Fleetwood Mac.

“That Thing You Do” shares more than a few plot points with “Daisy Jones,” with the advantage of not having to oversell the importance of the Wonders. One episode of “Girls5eva” will tell you more about the music business than do 10 of “Daisy Jones,” and “We Are Lady Parts” present a better argument about why one might want to be in a band. This isn’t a new gambit — “The Monkees” was created in part as a machine to sell records that would in turn promote the television show. Most of the character types and incidents in “Daisy Jones,” outrageous or banal, have had their equivalents (and worse) in the real rock world, which does not make the series itself feel especially real. The series expands the role of Daisy’s friend Simone (Nabiyah Be), described as a “disco pioneer,” who in the book serves mostly as a witness to Daisy’s misadventures. One reason these tropes exist, of course, is that there’s truth in them: Numerous episodes of “Behind the Music” have taught us that pop bands experience moments of dysfunction, to put it mildly. Still, I would be very surprised if Keough and Claflin had not studied live video of [Stevie and Lindsey](https://www.latimes.com/entertainment-arts/music/story/2021-09-10/stevie-nicks-lindsey-buckingham-relationship-timeline) locking eyes on [“Silver Springs.”](https://youtu.be/eDwi-8n054s) That Patti Smith’s “Dancing Barefoot” serves as the theme song for the series underscores the fact that this is primarily Daisy and Camila’s story, focused on women in music and the world, and what was expected of them and from them. (“I’m not the muse,” insists Daisy, whose beauty makes men want to own her. The group that seems to have inspired Reid is Fleetwood Mac, which, with its shifting intramural love relationships, sundry drug problems and issues of control — the soapiest of rock’s many operas — was a romance novel/miniseries waiting to happen. The 10-episode series, premiering Friday on Amazon Prime Video, echoes it with a documentary framing — that is, the action is interspersed with scenes in which characters respond to an interviewer 20 years in the future (the late ’90s, saving the production team the trouble of aging the characters half a century). Reid’s approach also means there’s not a lot of dialogue on the page, and so the adaptation is very much a thing of extrapolation and elaboration, with changes and additions to make it more conventionally dramatic — more like a TV series.

Welcome to Backstage, the TV and film podcast from Sky News. Joining Sky's arts and entertainment reporters Claire Gregory and Bethany Minelle to pick through ...

Elizabeth Banks joins the team to talk about her new film Cocaine Bear. It's the school on everyone's lips - hear what the team have to say about the second series of ABC and Disney+'s Abbott Elementary. Welcome to Backstage, the TV and film podcast from Sky News.